by Nigel Costolloe | Oct 16, 2012 | Professional Painting Company, Safety
Performing at your best can only happen if you have the right tools. In the photo below, taken in Boston’s Back Bay this past late summer, I stopped to chat with the employees of a large commercial painting company that does a lot of work around Boston. The men were...
by Nigel Costolloe | Sep 21, 2012 | Belmont, Environmentally Friendly Paints, EPA-RPP, Exterior Painting, Wood Restoration
In these photos below we have removed all flaking paint from a Belmont, MA home. The exterior walls looked sound from a distance but up close, each shingle showed a latticework of cracked paint – in painting parlance this is called ‘alligatoring’. It...
by Nigel Costolloe | Aug 31, 2012 | Blog, Professional Painting Company, Safety
In the following article our employee Mike points out the challenges to working safely when on a jobsite – threats are myriad and everywhere. We are reasonably astute about safety training but there is always room for improvement and feedback like Mike’s...
by Nigel Costolloe | Jul 10, 2012 | Brookline, Exterior Painting, Historic Restoration
One of the earliest lessons I learned in painting was not to rush to apply the 2nd coat. Oil-primed exterior walls on a Brookline Victorian were taking forever to dry; the paint can label suggested 48 hours before recoating – I waited a full week then applied a...
by Nigel Costolloe | Jun 22, 2012 | Cambridge, Water Damage
Rod Serling in the Twilight Zone would use the phrase “submitted for your approval..” and then go on to describe the latest nightmare scenario. I have my own example to submit, captured in the photograph below. A hardwood deck in Cambridge, built flush to...
by Nigel Costolloe | Jun 22, 2012 | Cambridge, Wood Restoration
Rod Serling in the Twilight Zone would use the phrase “submitted for your approval..” and then go on to describe the latest nightmare scenario. I have my own example to submit, captured in the photograph below. A hardwood deck in Cambridge, built flush to...
